Drum Sound of the 2000's Finnish Metal
- VST/AU/AAX Compatible
- 6 Snares, 2 Kicks, 1 Full Set of Toms, 10 cymbals (Hihat, Crashes, Chinas, Splashes, Stacks, Ride)
- ~310 Mb Download Size
- Drums Engineered by: Ron D. Rock @ New Soundstakk Studios, Windsor, ON
- Drums Performed by: Ron D. Rock
- REQUIRES KVLT DRUMS II to work
Interface & Mixing Features
Drum panels makes it organized and allows free control on panel placement and also ables you to choose to see and adjust only the drums you need to adjust not coggle the entire window with dozens of buttons and knobs which you don't really always need. Organizing buttons on the bottom bar (open all, close all, position in grid, open mix/FX/Routing tab for all) Makes handling large amounts of panels a breeze for mixing and setup!
To ensure full control over each and every channel, KVLT Drums II was captured with multiple close mics, FX mics along with Overheads & Room Channels.
Snare: Slate Digital© ML-2
Toms: Slate Digital© ML-2
Cymbals: Slate Digital© ML-2
Kick: Slate Digital© ML-2 & Slate Digital© ML-1
Need parallel comp? Close mic channels were dialed through the Alesis compressor that's known for its robust pumping effect. Blend this with the rest of the kit to get that proper smack.
Hell Mic: Alesis 3630 Compressor
The Trash Mic:
Drums need 'verb. Give em verb with Trash channel. Close mic channels were dialed through this early 90's digital reverb to give them that unique character.
Trash Mic: Alesis Quadraverb
Overheads is the crucial element to each and every drum sound. Some like to get the full picture out of Overheads while some like to carve out the lows and let it sparkle in the highs. We gave you the fullest, yet brightest possible starting point for Overhead sound so regardless of your approach, you are one-step closer in nailing a good Overhead sound.
Overhead Mics: Slate ML2
Room Channel captured the small yet punchy sound of the brand new Soundstakk Studios. Nulled away from the kit, the room mics added weight and depth into the drums. With added Plate reverb the small yet tight room ended up sounding way bigger.
Room Mic: Slate ML2
Pearl© Reference Maple 22x18
Mapex© Wraith 14x5.5
Pearl© Free Floating Maple 14x5
Pearl© Free Floating Maple 14x4
Pork Pie© BOB 14x6.5
Pork Pie© Little Squeeler 12x5
Ludwig© Hammered Brass 14x6.5
Pearl© Reference Maple 10x7
Pearl© Reference Maple 12x9
Pearl© Reference Maple 13x10
Pearl© Reference Maple 14x12
Pearl© Reference Maple 16x14
Sabian© AAX 14
Sabian© AAX 21" Medium
Sabian© AAX 16
Sabian© AAX 18
Sabian© HHX 18
Stagg© T-CH 16
Thomann© China 14
Zultan© Aja 8
Paiste© 900 China 14+12 Splash
Load your own One-Shot samples:
With One-Shots KVLT Drums II Becomes almost endlessly adjustable drum sampler that can produce many varieties of heavy drum tones!
We spent hours crafting these presets to give you the best possible starting point per genre & style. Flick through and see which style suits your song the best!
Output routing presets
But if you are like us and sometimes want to dive deep, it's possible!
For example you could compress only the toms and add some reverb. Need to add some saturation on the Cymbals or Snare? You got it. Multiband-compress your entire room channel? Done. Want to go totally whacky and mix different mics without any restrictions with each other and the add FX on your audio edtor? That's possible too! Free multi output routing is incredibly flexible when doing pro mixes and going all nuts!
First one is on the individual drum panels, which makes it easy to see which note is for which drum / cymbal (hihat Closed / Pedal / Open etc).
The other one is midimap editor which allows you to see all the midinotes on one matrix and adjust them at once, and also load different midimap presets to match some major drum sample libraries and midipacks.
Midieditor also shows played midinotes so it helps you to map your midinotes, for example, with an electronic drumkit that often times doesn't follow any standard for notes.