"The only reverb that gives me focused, stable and sparkling tail. Sounds like an outboard reverb. The best reverb I have."
- Stefano Morabito, producer (Fleshgod Apocalypse, Decrepit Birth, Hour Of Penance)
Features
Based on an 1989 Digital Reverb unit, the 1989Verb not only features the characteristics of the original unit but it also features a HiPass and LoPass to enhance the experience. A simple interface allows you to dial tones quickly. You can choose the patch from the dropdown menu or just simply keep clicking the arrows until you reach that golden tone.
Whether your Drums need more weight, synths need more air & excitement, vocals need that warm space to dwell in; 1989Verb is a perfect pair for any retro fan! Works well with modern production as well.
Whether your Drums need more weight, synths need more air & excitement, vocals need that warm space to dwell in; 1989Verb is a perfect pair for any retro fan! Works well with modern production as well.
- VST/AU/AAX Compatible
- 57 different Reverb presets
- Hi-Pass & Low-Pass Filters
- Wet & Dry knobs
- Stereo & Mono mode

Yesterday's sound, today's workflow
1989Verb is an homage to Late 80's Reverb tones. Warm plates, bright, dark, long, short, fast gates, slow gates, Reverse reverbs, regens, tap delays, flangers, blooms, stereo wideners, you name it, it's there.
How to use 1989Verb Plugin?
1. Follow the installation guide here
2. Open your DAW and apply 1989Verb as an insert on a track
3. Adjust dry and wet levels accordingly
4. Select one of the patches from the dropdown menu
5. If you need to remove high or low frequencies, utilize the HiPass and LoPass functions
2. Open your DAW and apply 1989Verb as an insert on a track
3. Adjust dry and wet levels accordingly
4. Select one of the patches from the dropdown menu
5. If you need to remove high or low frequencies, utilize the HiPass and LoPass functions
How to make the most out of 1989Verb Reverb plugin?
- Choose the character of reverb. Do I need a warm, dark, bright, light or heavy type of reverb?
- Size of the room/space. Do I need just a tad of room ambience or are we singing with the whales here?
- Generally you'd want to apply healthy dose of reverb on Vocals, Lead Guitars, Keyboards, Snare, Toms, Overheads and other percussion or orchestral instruments such as Brass or Woodwinds.
- Generally Kick Drum, Bass Guitar and Rhythm Guitar should should have a lot less reverb, if anything at all.
- Size of the room/space. Do I need just a tad of room ambience or are we singing with the whales here?
- Generally you'd want to apply healthy dose of reverb on Vocals, Lead Guitars, Keyboards, Snare, Toms, Overheads and other percussion or orchestral instruments such as Brass or Woodwinds.
- Generally Kick Drum, Bass Guitar and Rhythm Guitar should should have a lot less reverb, if anything at all.